UMO Helsinki Ensemble: Cinema Italiano (Rota – Morricone)

UMO Helsinki Jazz Orchestra an...
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UMO Helsinki Ensemble & Guests: Verse and Music – Classical and Jazz

Setting poems to music has alw...
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UMO & Ola Onabulé’s remote recording: Never Known

UMO Helsinki Jazz Orchestra an...
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UMO Helsinki Ensemble feat. Annimaria Rinne: Great American Songbook

This concert replaces Holy Th...
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AUF: Music from Baroque to Hollywood // Avanti!, UMO Helsinki & Fibo

Three top orchestras in differ...
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Concert cancellations spring 2020

Updated Fri 8th May 2020 at 2 ...
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UMO Helsinki participates in new international jazz residency program

Jazz Finland, Sibelius Academy...
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RESCHEDULED: UMO Helsinki Ensemble feat. Annimaria Rinne: Great American Songbook

THIS CONCERT IS CONFIRMED TO B...
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Ed Partyka

Trombonist, composer, arranger...
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RESCHEDULED: Silent Music: Portraits of Silence – UMO Helsinki, Anna-Maria Helsing, Mirja Mäkelä

Holy Thursday’s 9.4. co...
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Savoy JAZZFest: UMO Helsinki with Joyce Moreno celebrating Jobim

Savoy JAZZFest brings together...
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UMO Helsinki Ensemble at Savoy (online concerts)

UMO Helsinki Jazz Orchestra an...
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Markus Ketola

b. 1968

Markus Ketola is a sought-after musician and composer who has studied piano and classical percussions in addition to his main instrument, drums. His 15-year career as a musician spans all kinds of projects from band gigs and barn dances to theatre productions and musicals. Today Ketola is known primarily as an influential figure in the jazz scene.

Ketola joined UMO Jazz Orchestra in 1993 and has also performed, among others, with EBU Big Band, Bohuslån Big Band, and Norrbotten Big Band lead by the trombonist Tim Hagans. He has worked with many smaller jazz bands, some of which have been experimental cross-over groups such as Free Okapi, acknowledged at the Finnish Valopilkku Awards in 1999, and Kerava Quartet, which has performed and recorded Eero Hämeenniemi’s composition for string quartet and drums.

As a composer, Ketola is interested in creating complete works. His pieces are built up with skilful harmonies and melodies. Being a rhythm professional, he also gives room for drum solos.

Ketola graduated from the Sibelius Academy in Helsinki in 1998. In the same year, the leading Finnish newspaper Helsingin Sanomat chose his Tila Ensemble’s first album, “Tila”, as the jazz album of the year. The following year the record won the Finnish Jazz-Emma prize. Ketola has composed music for UMO (Jatkumo, Lake End 2003), individual soloists and international productions of the European Broadcasting Union and YLE, the Finnish Broadcasting Company. His latest composition was performed by the Finnish Radio Symphony Orchestra for a feature-length television drama, “Puhdas päämäärä” (YLE TV1, 2005).

Tila Ensemble’s tracks, which blend elements of Slavic and folk music, offer a foretaste of Ketola’s interests. The drummer, who has a strong sense of space and dramatics, has played folk music in the accordionist Maria Kalaniemi’s line-up and has spiced up the Indian raga music as part of Eero Hämeenniemi’s group, Nada (Nada, Alba 1999). The word Nada translates as transcendental, universal sound, and it is precisely the universal nature and versatility that characterise Ketola’s career. Recently, Ketola has broadened his skills by studying challenging South Indian carnatic music.