UMO Helsinki Ensemble: Cinema Italiano (Rota – Morricone)

UMO Helsinki Jazz Orchestra an...
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UMO Helsinki Ensemble & Guests: Verse and Music – Classical and Jazz

Setting poems to music has alw...
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UMO & Ola Onabulé’s remote recording: Never Known

UMO Helsinki Jazz Orchestra an...
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UMO Helsinki Ensemble feat. Annimaria Rinne: Great American Songbook

This concert replaces Holy Th...
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AUF: Music from Baroque to Hollywood // Avanti!, UMO Helsinki & Fibo

Three top orchestras in differ...
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Concert cancellations spring 2020

Updated Fri 8th May 2020 at 2 ...
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UMO Helsinki participates in new international jazz residency program

Jazz Finland, Sibelius Academy...
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RESCHEDULED: UMO Helsinki Ensemble feat. Annimaria Rinne: Great American Songbook

THIS CONCERT IS CONFIRMED TO B...
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Ed Partyka

Trombonist, composer, arranger...
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RESCHEDULED: Silent Music: Portraits of Silence – UMO Helsinki, Anna-Maria Helsing, Mirja Mäkelä

Holy Thursday’s 9.4. co...
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Savoy JAZZFest: UMO Helsinki with Joyce Moreno celebrating Jobim

Savoy JAZZFest brings together...
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UMO Helsinki Ensemble at Savoy (online concerts)

UMO Helsinki Jazz Orchestra an...
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Kirmo Lintinen

b. 1967

Before the composer Kirmo Lintinen’s name was on everyone’s lips in the field of serious concert music, Lintinen had already created a career as a composer-arranger, pianist and conductor on the jazz circuit. As a contemporary music composer, he has broken ­– in a refreshing way – Finnish big band traditions and borders between music genres. The most visible side of Lintinen’s work as a musician has been his numerous performances as a soloist, band musician and conductor in Finnish jazz, symphony and chamber music line-ups.

Lintinen joined the UMO Jazz Orchestra as a pianist in 1989 but since 1994, has primarily focused on conducting and programme planning. By emphasising the musical flexibility of a big band line-up, and of UMO musicians in particular, he has developed relationships between UMO and composers of serious music. Although Lintinen has set his heart on increasing UMO’s Finnish music programming, he has also specialised in creating programmes that reflect the American history of the big band music.

Composing almost became Lintinen’s main occupation at the turn of the millennium. His repertoire of over a hundred compositions covers a wide selection of moods and forms from small-scale chamber music to opera, from pedagogic little songs to film scores, from dance music to dodecaphonic works, and from jazz to baroque music. He has written his broad big band repertoire exclusively for the UMO Jazz Orchestra.

Although Lintinen has made many jazz compositions and arrangements, most of his works are in the tradition of western serious music. His principal works, so far, are “Cantata Proverbiorum” (1999), written for a double choir and instrument ensemble; a children’s opera “Voi vietävä!” (2000–2001); “David ja Batseba” (2001), a performing madrigal composed for a vocalist and a baroque orchestra;“Duo Concertante” (2002) for clarinet, contrabass and orchestra; and “Mobile festivo” (2003), written for a large orchestra.

As a conductor, Lintinen has led UMO on nine albums and on several Finnish and international tours including in Stockholm, Brussels, New York, Washington D.C., Pittsburgh, Minneapolis, Paris, London, Madrid, Dublin, Porto, and Utrecht. Over the last few years Lintinen has also worked as a conductor outside UMO conducting, for example, the AVANTI! chamber orchestra, Tapiola Sinfonietta, Oulu Symphony Orchestra, and the Finnish Radio Symphony Orchestra. Since 1994 Lintinen has been the pianist, arranger and conductor in How Many Sisters, a successful Finnish vocal group.